Wednesday, October 24, 2012

Perce




I am sitting on the 3rd floor hallway at 2:45 in the morning. I expect to see no movement for the next fifteen minutes of my life, but I plan on recording every irregularity I can observe from the ideal construction of this area.
2:45: The stools are not at the same height and have different sizes of the rings to support the legs. Hints of lack and white paint can be observed on some of them.
A stool is sits in the middle of the room with no purpose.
2:48: Footsteps can be heard from the floor above.
2:49: The lights that hang from the ceiling in two colomns are dim. Three of them, miraculously all on the edges are out.
2:50: There are cuts on the wooden flooring. The perspective view gives each scratch a unique angle towards its perspective point.
2:51: A gray old fashioned heater sits on the left of me. It crackles and creates different obnoxious sounds as it either heats up or cools down. It also seems to be split into to, while the half is located on the classroom side.
2:52: The consents on the wall are placed on the pin-up board.
2:53: Cameron walks in to fill-up his water bottle. As he presses the button, the water fountain cracks and the fan ignites.
2:55: The obvious irregularities are seen already. I look closer at the room. The paper posted in front of the classroom furthest away is not perpendicular to the floor angle. This is which the understanding the perspective view is not considered.
2:56: More footsteps from the top floor. Water fountain cracks and fan.
2:56: I am still on the 2:56 interval.
2:57: A black security man opens the heavy metal emergency exit door. Looks at me. Leaves.
2:58: The color of the brown wooden tiles are not of the same colors. The brick walls are almost the same color as the wood floors.
2:59: The electricity pipings are visible. It runs across the top of the side walls. It is traced to the corner of the room and hides on the ceiling.
Its 3:00. Fascinating. I have learned nothing important that could ever possibly benefit me in the future. I guess the French always thought radically.
3:01: There are black pin marks on the pin-up walls. Numerous. Infinite. Not really.
3:02: There are scratches on the legs of the stools. The old and new are distinguishable.
3:03: The plastic screening on the door window that is about 11 to 72 are filled with air bubbles.
3:05: On of the consents on the corner are not white, but black.
3:06: The ceiling is filled with cracks.
3:07: The brick wall is not leveled with the floor. Concrete is filled in to hide the irregularity.
3:08: The floor is not even. Areas where people often walk by is dented down, while the wall area is even.
3:09: A red pin on my direct right. How did I not see that.
3:10: A tall guys with a beige coat sprints passed me.
3:11: There is a brown spot on the ceiling the size of my hand.
3:12: The guy comes back. Stares at me for two seconds. Then leaves.
3:13: Coating on the wood flooring has been layered on multiple occasions.
3:15: Thank god I’m done. I have learned nothing in this last 30 minutes. If I sleep in class today please don’t blame me.

1 comment:

  1. You've learned nothing? I'm not surprised, though your minute observations are compelling nonetheless. You are a strong student and often insightful. But here, your analysis is not particularly productive, and especially as you phrase it in terms of what you have not learned. Ideally you pick a place and time where there are people as well as things to observe. Then you might be able to think more about how your site functions as space, its features as space, in the mode of de Certeau. From this kind of "site analysis" you can begin to ask questions about how a space is used, why, and to what effect that would enable you to build a critical map/tour of these spaces.

    ReplyDelete